He survived by living in his van during the day and flopping in public bathhouses at night. Then, earlier this year, the mayor of Jeonju made the gray-haired homeless man a remarkable offer: For his attendance at religious ceremonies and a handful of lectures every year, Mr. The reason? The year-old man is the last prince still living in Korea of the imperial Joseon dynasty, which ruled the country for almost years. Battered by invasion, torn by civil war, then unsettled by rapid economic development, South Koreans are finally seeking their cultural roots. In Jeonju, about miles south of Seoul, the local government is eager to gain recognition for its city's past: as the former home of the imperial family.
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The spotlight has shifted to damaged people with broken relationships and far-off dreams, with some seeking repair and some just to get by, as The Korea Herald previews in the three films that follow. An ominous sense of foreboding grips the audience in every interaction Geun-su has. Who will be the one to take advantage of the sympathetic young man? From there, the lines between criminality and enterprise blur, as Geun-su may not be as meek or innocent as he once seemed. While relying on Korean rom-com cliches, the film can feel problematic in a post- MeToo Korea.